The No B.S. Self-Taught Musician’s Guide To Building Chords, Memorizing and Finding Them Fast teaches you all the inside secrets to figuring out chords and playing them so you can throw away the book. You’ll never have to look up another chord EVER again, or have to rely on chord books that only show pictures but explain nothing. Those kinds of books are crutches that keep you shackled to reading music.
Many of the greatest musicians of all time base their success in being “self-taught” and have one thing in common that is the ultimate secret to freedom on the piano. They all know how to build chords from scratch, memorize them and play them as a memorized reflex.
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| Self-Taught Classical Composers |
Self-Taught Contemporary Composers |
Self-Taught Modern-day Composers |
| Johann Sebastian Bach | Scott Joplin | Elton John |
| Joseph Haydn | George Gershwin | Carole King |
| Wolfgang Amadeus Mozart | Irving Berlin | Paul McCartney (Beatles) |
| Ludwig Van Beethoven | Walter Donaldson | John Lennon (Beatles) |
| Franz Schubert | Hoagy Carmichael | Peter Townshend (The Who) |
| Frederic Chopin | Duke Ellington | Brian Wilson (Beach Boys) |
| Robert Schumann | Art Tatum | Steve Winwood (Traffic) |
| Franz Liszt | Oscar Peterson | Randy Newman |
| Richard Wagner | Fats Waller | Donald Fagen (Steely Dan) |
| Johannes Brahms | Earl Hines | Ray Charles |
| Igor Stravinsky | Erroll Garner | Leon Russell |
| Claude Debussy | Dave Brubeck | Al Kooper |
The Difference Between Self-Taught Musicians And You
You are born to fly but sight-reading keeps you grounded. Too many people learn to play complicated classical music but can’t rattle off Happy Birthday To You without the sheet music. While piano lessons are good for learning to read music, count and improve fingering, those things don’t teach “independence.” Not learning independence is the source of frustration for countless players. If you are one of them, then you understand exactly what I am talking about.
The problem is that people sight-read music on paper but never look down at their hands and link reading with what they are actually doing. You might have all the natural talent in the world to be GREAT but until you are frustrated enough to make a change, you will never turn things around.
The best way to learn independence is to follow the path of somebody that knows how to do it. The best place to look is to self-taught musicians throughout history that took the leap and freed themselves from bondage. The trouble is “where do you find that kind of training?” Until now, it’s been mostly a do-it-yourself type of thing.
[testimonial2 author=”Irving Berlin” + pic=”http://playbyearpiano.com/Blog/wp-content/uploads/2013/08/irving-berlin.jpg”]“Talent is just the beginning.”[/testimonial2]
The Self-Taught Musician Mind-Set
Self-taught musicians may start off taking lessons but eventually come to realize sight-reading is not the way. With a great desire to play independently, they ask their teacher for help but usually get no answer other than “stay the course.” That’s not an answer; it’s the kind of advice that keeps you on the treadmill of wishing and hoping without any end in sight. This is the point where a lot of people quit, but not those that are dedicated musicians who will stop at nothing to find the answer.
Frustrated because they can’t find information on what they are looking for, they rack their brains and eventually figure out that learning chords is the starting point. From that point on they make it a goal to learn chords as quickly as possible. Looking back, it becomes crystal clear to them that NOT HAVING A GOAL is the reason why people take piano lessons forever.
With a goal, you know when you’ll be done.
Without one, you’re never done.
With commitment to freedom, they study many things to figure out chords but come to realize there is quite a bit of confusion in learning how to understand them. You can read about them, but not truly understand the insights behind the information. The questions they have are deeper and more introspective as to the whys and hows. It’s more than stark explanations. Chords are not as cut-and-dried as most people think.
Eventually after turning over many rocks, the self-taught musician uncovers the ruling concept to chords and all of music theory in one. They are not initially prepared for the profound discovery they make and when it appears, it hits them like 10 tons of bricks. They wonder if others that understand music theory really comprehend the alternate universe that they have just uncovered. Not a chance.
To find the secret of the self-taught musician you have to really look hard and figure things out. Despite all the facts you might read, none of them give you insights behind the scenes of what is REALLY going on. When it hits you, you easily perceive music theory from two different perspectives; one that is enlightened and the other which is not.
It is at that point that YOU ARE FREE!
[testimonial2 author=”Debussy – Famous Classical Composer” + pic=”http://playbyearpiano.com/Blog/wp-content/uploads/2013/08/debussy-04.gif”]“Extreme complication is contrary to art”[/testimonial2]
The Musical Ruler Rules
What they discover is a simple but powerful formula that harnesses their understanding of music in a way that reading music never did. The discovery blows their minds in its simplicity and places them mentally in the top 5% of all musicians in the world. Just a turn-of-the-screw is all it takes to transform you into a musical expert. If you think that’s an outrageous claim, read on.
The formula is a “Musical Ruler” that works perfectly, every time and in every key. It is the primary musical tool that is like the Rosetta Stone of music. It is a FACT OF MUSIC and the basis of all music mastery. All composers and play-by-ear improvisationalists use the ruler everyday, every time they sit down at the piano and play music. The ruler takes the guess-work out of keeping track of nearly everything a musician does.
• It measures where you are.
• It points you to where you are going.
• It shows you exactly how you are going to get there; and
• in some cases, how you are going to get back.
[testimonial2 author=”Peter Townshend” + pic=”http://playbyearpiano.com/Blog/wp-content/uploads/2013/08/townshend-3.jpg”]“I was born with a plastic spoon in my mouth.”[/testimonial2]
Gauging The Self-Taught Potential In You
Whether a complete beginner or an advanced player, you have the potential to learn this skill quickly with applied effort and direction. The musical types that tend to find this kind of learning easy tend to have these traits:
Current or past piano-lesson experience
Being comfortable, knowing the keyboard and how to read music are definite pluses. When it comes to teaching yourself, you know more than you think. The question is “Do you have a fire in your belly?”
A natural ear for music
Having a natural ear to sing in key, hear chord changes and plunk out a one-note melody line on the piano are skills that help you progress quickly. You’ll improve your ear over time but a good natural ear in the beginning keeps you motivated.
Goal Oriented
Learning to play and build chords is a finite skill that can be learned in a short period of time when you focus on an unwavering goal. You’ll reach it fast if you are willing to study and practice.
Self-Directed Focus
You have the “self-taught gene” and a willingness to “stick to it” without a teacher present to keep you going. This is a condition that separates you from those who struggle on the piano. Commit to taking the helm forever.
The X-Factor
Maybe you excel at music with extraordinary natural talent and quick potential for greatness. If you’ve got the X-factor, learning chords will set off an explosive expansion of your abilities.
Guitar players
Guitarists are used to playing chords and crossing over to piano is generally an easy transition.
• They understand the role of chords and progressions in music
• They know a lot of songs by heart to practice
• They already have good right and left hand coordination
• They are used to figuring things out on their own.
[testimonial2 author=”Paul McCartney” + pic=”http://playbyearpiano.com/Blog/wp-content/uploads/2013/08/mcartney-1.jpg”]“I don’t work at being ordinary.”[/testimonial2]Why Is This The Best?
[content_box_blue width=”90%”]• Build any chord from scratch on-the-fly without a reference book
There is a hidden concept behind building chords that is never taught and is the most important for you to understand the process.
• Figure out how to build chords in any inversion and in any key without building
No matter the inversion or key, there is a simple “cheat” that sidesteps all the BS of building from the bottom to the top and lets you play the chord immediately.
• You don’t need to memorize scales or keep track of sharps and flats
There is no reason you have to learn scales through rote memorization. The musical ruler takes care of everything whenever you need it.
• Recognize chord patterns that flow together naturally
Most keys have chords with similar fingering that usually appear together in songs. This makes it easier to figure out progressions and play by ear.
• Move your hand only slightly to find the next obvious chord
The best way to make chord changes is with slight finger-movements that combine inversions of different, harmonious chords together naturally.
• One standard exercise isolates the four movements used to transition between chords
You learn to combine chords in all the different ways they fit together. The magic is you learn them ONCE, and then use those same movements in each lesson.
• Learn all 24 major and minor chords and their inversions in 10 regimented lessons
There is no gimmick to learning chords this fast because the process is a fact of music theory itself. Though 10 lessons covers all 24 chords, by lesson 6 you’ve learned 18 of them (that’s 3/4ths of what you need to know).
• Concise and to the point without deviation from the subject
– Just one thing done well
– Everything you need to know about chords
– Teaches the Self-Taught Musician mind-set
– See the big picture and move at your own pace[/content_box_blue]
This course makes a big promise and guarantee that you are going to learn something that you never thought possible. It’s more than just learning chords. It’s what you do with them after you learn them.
And now here it is for YOU: The No B.S. Self-Taught Musician’s Guide To Building Chords, Memorizing and Finding Them Fast
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Concise and complete in just 43 pages, this book has a purpose beyond being “just a chord reference.” It gives you the tools to take your playing to the next level. GUARANTEED! |
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“If within 365 days you do not realize exponential growth in your knowledge and skills and are not completely satisfied, simply return the package for a prompt and courteous refund and keep all the free bonuses with my thanks to you just for giving it a try.”
P.S. I taught myself to play chords on the piano when I was sixteen by following the common-sense approach self-taught musicians use to teach themselves so quickly.
P.S.S. Get “The No B.S. Self-Taught Musician’s Guide To Building Chords, Memorizing and Finding Them Fast “ for just $147.95. Don’t miss out on taking your playing to the next step. Click Here to Order NOW.[/guarantee_box_1]
Joseph Pingel’s
“The No B.S. Self-Taught Musician’s Guide To Building Chords, Memorizing and Finding Them Fast”
Only $47 PLUS…
Here’s what you get:
• Description and Numerical Orders of all Chords up to 13ths
• All The Mental Triggers to Memorizing and Building Quickly;
• Rules, and Practical Observations For Moving From One Chord To Another;
• Voicings – Putting both hands together
• Usage and Notes – Insights of Experience
• One-Page Chart for all Chords
• One-Page Chart for all Chords
[Caption] “Each chord chart shows the keyboard, staff, key signatures and numerical orders for all chords in that group.
BONUS MATERIAL –
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